Music v.s the people

Music v.s the people

People V. S Electronic Dance Music Electronic Dance Music, more often referred as EDM, is a selective genre of music, which centers in Trance, House, Progressive and Techno, its audience being among ages 11 to 25. Focusing in the art ofa DJ performing a continuous DJ set, progressing from one record to the next. Since early 1980s it has been popularizing more and more from time to time, becoming now, one of the biggest music genres in the world.

From what it was being “bedroom” DJs and only getting booked to play at an underground “rave” or club has gone to performing at massive festivals, among ames like, Ultra in Miami, Tomorrowland in Belgium, Electric Daisy Carnival in Las Vegas, Global Dance Festival at Red Rocks in Colorado, and many other thousands of festivals specializing in this specific sound. EDM has now become a worldwide phenomenon, gone mainstream, from DJs/Producers being popularly known, like David Guetta, The Chemical Brothers, Armin Van Buuren and Swedish House Mafia.

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Many different times, this subject has been related unjustly to Drugs like Ecstacy, MDMA, etc But it is not until now that many people look at this phenomenon as a bad hobby. In 2010, Insomniac’s 14th annual Electric Daisy Carnival took place at Los Angeles Memorial Coliseum with more than 185,000 of attendees during weekend. The festival drew criticism due toa 15 year old attendee who snuck into the 16 and up festival, and died of an overdose in the grounds. Local authorities took the unfortunate accident blaming EDM, drugs and everything involving the genre. EDC was then moved to Las Vegas, Nevada in its next installment.

This outcome, came to a lot of other people (mostly parents) attentions, whome now seem to be concerned over their children who regularly attend dance music events. Many authorities officials across the United States, have tried banning events involving EDM, but have ailed miserably, still ignoring all the positive things these events have to offer. Many cities across the United States have become huge in the EDM business, and not only increasing in size the attendees whom promoters attract, but has also made a great impact on economy. In 2011, EDC was moved to Las Vegas Motor Speedway in Nevada, leaving an incredible outcome.

According to an economic impact report by Beacon Economics, EDC pumped more than $136 million into the Clark County economy after more than 300,200 of attendees through the gates of the annual event. Also, equivalent of 1,400 full-time Jobs, bringing in $55. million in income for workers in Clark County. In 2011, Insomniac donated $75,000 from proceeds of the first EDC held in Las Vegas. Topping that today, $115,000 was presented to five different beneficiaries. As EDM events, formerly known as Raves, keep escalating, and one wont doubt this can get even bigger than it already is.

This Just being a fact that estates how EDM benefits this world. Surpassing anything that had attacked these significant’s events, one would think this had stopped, but unfortunately this wasnt the case. On February 6th 2013, An article on raves made it to Los Angeles Times Front-Page story. Minutes after it was posted, promoters, organizers, EDM goers and pioneers of the topic, had gone mad viral against the story being published. Los Angeles Times attacked event organizers and promotion company, Insomniac, after publishing a story on drugs being sold at their events, defaming their prestige as company, it, being their only purpose.

As if this wasn’t enough, days before another article was written by Rong-Gong Lin II, Paul Pringle and Andrew Blankstein, Los Angeles Times, this time defaming the EDM scene in general, setting in bold, drug use as the main purpose. Popular known DJ/Producer, Kaskade, wrote an article in response to Los Angeles Times stories, explaning his following quote; “they painted a picture of “Ecstasy-fueled underground raves, bumped up into the mainstream, leaving a trail of dead, drug-addled kids being picked up by the … coroner’s wagon rolling down desert roads. There are indeed some things that are wrong in the EDM scene, substance abuse being one of them, but perhaps, the real issue here, is drug use among teenagers. Defending with honor his music, sound and scene, Kaskade was serious about the topic, pointing out the growth of EDM throughout the years, eing it inevitable that with thousands of event goers, something can indeed go awry. In my own words, why blame EDM? Is like blaming a certain kind of food topped with hot sauce, getting a stomach pain and blaming food instead of the hot sauce.

His last statement, is surfing throughout the internet, being re-blogged by his fans and even fellow colleagues. “Know this: as far as a music culture goes, EDM is the one who will accept the kids on the outliers, the ones who get bullied, the ones who feel like they may not quite fit in. This community is exceptional in its ability to bond all types ogether, and I am not exaggerating when I say it saves lives. Our audience is intelligent and kind, discriminating only in regards to which sound they like best.

Our audience is unprecedented in their drive to proactively support each other”. Electronic Dance Music, is Just not a general genre, is a universal language uniting millions of people around the world, leaving more positives than negatives. The hatreds might never stop, and will for sure continue to be confused for what is not. Drug abuse will continue even if raves or EDM go away. Since people don’t see it, we ave a bigger issue going on, but they’re too blind to see it, and are looking to blame and throw dirt at something so beautiful and sane.

Illegal substances will be and are everywhere, even in our own backyards, and criticizing one’s scene will only cause to become underground again. Imagine a world were youngins are self-forced to “party”, per say, at an underground and illegal warehouse with no security and no one that knows about it, but them. Drugs well indeed be there, but in the atmosphere we live today it cannot be confused for what it used to be, and defending our EDM scene will end in something as positive as “Saving Lives”

from Nandarnold

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